Placed in one space, these different registers — action, specimen, infrastructure, and text — stopped functioning as separate outputs and started to read as one continuous practice of sensing rather than measuring. A visitor could watch the performance, look at the specimen, search their own neighborhood's monitoring station, and read the research connecting all of it, in almost any order, building their own path through materials the project had been accumulating. The exhibition did not conclude the research; it made the accumulation itself visible, and left it open to keep growing.
